Studio 1919 is presently undergoing a redesign and will be hosting a new gallery. It will return shortly.
Welcome to ThomasEverchild.com
If you were looking for the illustration galleries at Studio 1919 and have re-directed here then you will be in need of a small explanation.
I do apologise for the inconvenience. The Studio 1919 galleries are off-line at the moment because we are switching to a new content management system (CMS).
Rather than have you find one of those ‘this site is closed for maintenance’ notices we decided I could host a more friendly explanation on my notepad site.
This is also a relatively new site with just sketches ‘in progress’ and social media (also mostly new).
It would have been more but…
We are finally digitising all the photographs and written material from the magazine and theatre collection and setting up a ‘radio’ stream based on our stage show.
The Illustration work will return when Studio 1919 opens its doors… and more, much more, will follow.
We’re now off to LonCon 3… see you after…
To be continued…
Mountain terrain in the style of 19th century magazine illustration. This is a background setting for illustrations of a ‘Victorian space exploration’, for a serial story.
The jagged moon is a dramatic image that persisted until the Apollo landings, although there were illustrators like Lucien Rudaux who presented a smooth Luna terrain as early as the 1930′s. The artist Chesley Bonestell dominated the vision of the Moon in the 1940′s and 50′s and his spiky Moonscapes influenced many other illustrators. I Hope we’ll find this terrain out there somewhere.
Working in 3D had the advantage of being able to re-light and re-compose an illustration or use one setting for multiple pictures.
Before computers, illustrators constructed models as reference, The lengths to which Frank Hampson went to visualise the world of his ‘Dan Dare’ stories are legendary in English comic circles.
James Nasmyth used photographs of plaster models to produce illustrations of the Luna surface in the 1870′s.